MARIA FERNANDA CARDOSO

Maria Fernanda Cardoso, Intromittent organ of the Allonuncia Grandis (Harvestman) Opiliones, 2009, archival pigment print, 2002 x 90 cm.

Maria Fernanda Cardoso, Intromittent organ of the Allonuncia Grandis (Harvestman) Opiliones, 2009, archival pigment print, 2002 x 90 cm.

MARIA FERNANDA CARDOSO is included in La Vuelta at Museo De Arte Moderno de Medellín, Colombia.

La Vuelta showcases the work of twenty-six Colombian artists and photographers of different generations. For the traditional genres of portrait and landscape photography to experimental and investigative practices, the exhibition explores how contemporary artists who use photography and its expanded forms perceive and experience the varied and changing cultural, social, and political landscapes in a country marked by a history of sixty years of armed conflict.

The exhibition continues until 17 February.

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HONEY LONG & PRUE STENT

Honey Long & Prue Stent, Venus Milk, 2015, archival pigment print, 106 x 159 cm.

Honey Long & Prue Stent, Venus Milk, 2015, archival pigment print, 106 x 159 cm.

HONEY AND PRUE are included in the exhibition Anticipation is part of the seduction opening today 5 December at Blindside, Melbourne. The exhibition is part of their Emerging Curator Mentorship Program, curated by Jonathan Homsey with Hannah Mathews as a mentor.

Exhibition Dates: 5 - 22 December.
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MARIA FERNANDA CARDOSO

Maria Fernanda Cardoso, On the Origins of Art I and II, 2016, Film Still.

Maria Fernanda Cardoso, On the Origins of Art I and II, 2016, Film Still.

Elizabeth Ann Macgregor, Director of the Museum of Contemporary Art, discusses MARIA FERNANDA CARDOSO on this week's 'Self Improvement' with Richard Glover on ABC Radio Sydney.

Major works by Cardoso, including her video work 'On the Origins of Art I & II' have been acquired by the Museum of Contemporary Art and the Tate, as part of a joint acquisition program that aims to bring Australian art into the international spotlight.

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CHARLES GREEN & JULIE RRAP

CHARLES GREEN and JULIE RRAP have written essays for the book, What is Performance Art? Australian Perspectives. The publication brings together texts from Australia’s most prominent theorists in the field together with major exponents of performance art themselves, creating a critical archive, and dialogue, that stands as central document of Australian performance art’s first fifty years.

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Julie RRAP, One Hand Making the Other Hand, 2016, cast aluminium and powder coated steel, 50 x 36 x 25cm.

Julie RRAP, One Hand Making the Other Hand, 2016, cast aluminium and powder coated steel, 50 x 36 x 25cm.

IMANTS TILLERS

MAJOR MONOGRAPH

IMANTS TILLERS: JOURNEY TO NOWHERE

Co-published by Power Publications, Sydney and the Latvian National Museum of Art, Riga, the major monograph 'Imants Tillers: Journey to Nowhere' was launched at the MCA on Wednesday 21 November and is now available in Australian bookshops.

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SAM SHMITH

Sam Shmith, Parade, 2007, pigment print on lustre, 27 x 40cm.

Sam Shmith, Parade, 2007, pigment print on lustre, 27 x 40cm.

New York based artist SAM SHMITH is currently undertaking the Byron School of Art Ralph Woodford Residency.

Sam is currently working towards his exhibition for next year at ARC ONE Gallery.

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