PAT BRASSINGTON IN NEW BUXTON CONTEMPORARY EXHIBITION

PAT BRASSINGTON is featured in Buxton Contemporary’s new exhibition This is a poem, curated by Melissa Keys.

Bringing contemporary art and poetry into dialogue, This is a poem is a multi-disciplinary project encompassing new commissions in a diverse mix of media and forms, live performances, a publication and an exhibition.

The project draws notable artists and poets into creative discourse. Each participant has been invited to write, perform, read or present in visual form an original work of poetry in response to an artwork held in the University’s Buxton Contemporary collection. In this case, choreographer/interdisciplinary artist Sandra Parker responds to Pat Brassington’s 1998 work, Neck.⁣

Conceived to creatively animate the collection, This is a poem brings art, artists, and poetry into orbit with audiences through an experimental and experiential exhibition that explored the longstanding tradition of ekphrastic poetry.⁣

Capacity limits are in place, so pre-book your visit to ensure there's room for you. The exhibition continues until 14 November.

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Image 1: Pat Brassington, Neck, 1998, pigment print, 72 x 54cm; Image 2: Installation views of Sanda Parker's work alongside Pat Brassington's work, photos by Christian Capurro.

ANNE ZAHALKA FINALIST IN OLIVE COTTON AWARD

Congratulations to ANNE ZAHALKA, whose recent self portrait is a finalist in the Olive Cotton Award for Photographic Portraiture.

Anne says of this work:
“Venturing into the reimagined landscape of Macquarie Island carrying a trusty pair of binoculars, I found myself amongst an astonishing array of wildlife and mega herbs. Scientists, adventurers, and volunteers navigate carefully through the fauna and flora of this fragile ecosystem doing important field work.

While biological sciences play a vital part of the research program on Macquarie Island, there is the greater uncontrollable environmental issue of marine plastics. As I scoured this habitat of courtly creatures, I was disturbed to see small colourful pieces of plastic populating the ground washed in with tidal flows.”

The Olive Cotton Award exhibition will be on display at Tweed Regional Gallery until Sunday 19 September.

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Anne Zahalka, Anne Zahalka with a Colony of Boffins, 2021, pigment ink on rag paper with plastic, 54cm x 70.6cm

Anne Zahalka, Anne Zahalka with a Colony of Boffins, 2021, pigment ink on rag paper with plastic, 54cm x 70.6cm

LONG & STENT FINALISTS IN NAKED & NUDE ART PRIZE

Honey Long & Prue Stent, Hydro, 2020, archival pigment print, 108 x 72 cm

Honey Long & Prue Stent, Hydro, 2020, archival pigment print, 108 x 72 cm

Congratulations to HONEY LONG & PRUE STENT, whose work Hyrdo is a finalist in the Naked & Nude Art Prize 2021 at Manning Regional Art Gallery.

This biennial Art Prize commenced in 1990 with entries open to Australian artists. The winning entry receives a generous cash prize and is acquired by the Friends of the Manning Regional Art Gallery and donated to the Manning Regional Art Gallery’s permanent collection.

The selected finalists include sculpture, painting, ceramics, drawing, photography, installation and video – highlighting the diversity of approaches to representation of the human form by contemporary artists in Australia.

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JANET LAURENCE'S 'REQUIEM' ACQUIRED BY THE NGA

ARC ONE Gallery is thrilled to announce that JANET LAURENCE’S Requiem has been acquired by the National Gallery of Australia.

This remarkable work was recently featured in Know My Name: Part One at the NGA.

Requiem is a work of great complexity and scale. It is underpinned by a deep love by this artist who has devoted her artistic practice to the overwhelming importance of the natural world. Made in the wake of the 2019-20 bushfires, a hailstorm that shattered the glasshouses of the CSIRO and a global pandemic, this work draws together elements and specimens from nature as a lament for a world in danger and a call for greater awareness of environmental issues.

ARC ONE is delighted to have been the principle facilitator of this major acquisition.

“The work is like a Memento Mori. It is about what we’ve lost and are continuing to lose. It is also a piece about memory and how it distils and alters reality. This parallels nature’s ability for transformation.”
– Janet Laurence

“'Requiem' has an angelic weight that calls attention to the fragility of the natural world. This is a significant work that will resonate throughout history for many people greatly connected to ideas of time and the gravitas of nature.”
– Fran Clark, Director, ARC ONE Gallery

Images: Janet Laurence, Requiem, 2020, perspex, found materials, Know My Name: Part One installation view, National Gallery of Australia, 2020.

EUGENIA RASKOPOULOS & JACKY REDGATE IN 'KNOW MY NAME: PART TWO' AT NGA

Jacky Redgate, Light Throw (Mirrors) #3, 2010-11, C-Type photograph face mounted on acrylic, 126 x 158cm

Jacky Redgate, Light Throw (Mirrors) #3, 2010-11, C-Type photograph face mounted on acrylic, 126 x 158cm

JACKY REDGATE & EUGENIA RASKOPOULOS are included in Part Two of Know My Name: Australian Women Artists 1900 to Now at the National Gallery of Australia.

Following a gradual transformation from Part One, Part Two is now open in its entirety. Know My Name tells a new story of Australian art. Looking at moments in which women created new forms of art and cultural commentary such as feminism, the exhibition highlights creative and intellectual relationships between artists across time.

Part Two continues until 26 January 2022.

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JULIE RRAP AWARDED FELLOWSHIP IN NSW GOVERNMENT

Congratulations to Julie Rrap, who is one of five successful fellows in the NSW Government's Fellowship program!

The New Dimensions: NSW Visual Arts (Established) Fellowship will support Julie Rrap with funding to allow her to focus on a self-directed professional development program, and also to undertake an additional project or acquisition commission from the MCA. This marks the third year of a partnership between Create NSW and MCA for the New Dimensions: NSW Visual Arts (Established) Fellowship.

The opportunity for Julie Rrap to develop a new body of work and program of research with the Fellowship is significant. This research and artwork will question how we “look” or “look away” when confronted by certain bodies. This is a very timely project for Rrap and an extension of a meaningful practice centred around challenging and questioning traditional expressions of the female body.

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Portrait of Julie Rrap in her studio by Jacquie Manning⁠

Portrait of Julie Rrap in her studio by Jacquie Manning⁠