PRUE STENT & HONEY LONG performed in Coburg at Schoolhouse Studios with dancers Harrison Ritchie-Jones and Michaela Tancheff. Occurring within a giant inflatable sculpture, which viewers were able to enter, the choreography reflected on this semi-private space, questioning the divisions between the personal and the public, and the interior and the exterior.
This program was part of ‘Evidence of Life’ - a series of temporal activations across the City of Moreland.
JOHN YOUNG in conversation at THE MUSEUM OF CHINESE AUSTRALIAN HISTORY
This Saturday June 25, JOHN YOUNG will be in casual conversation on the ‘History Projects’ and making art as an artist from a diaspora, at the Museum of Chinese Australian History from 2 – 3 pm.
This will be a wonderful talk by the highly revered John Young.
📷 Portrait of John Young by Maurice Weiss
JANET LAURENCE Installs permanent installation at CURTIN UNIVERSITY
JANET LAURENCE’s permanent site-specific installation ‘CLIFF’ is a presentation of earth itself, in the form of stones each with its geological story - of time, weather, movement and formation.
We can’t wait to see this work once its fully installed in its new home at Curtin University!
IMANTS TILLERS on display at THE NATIONAL GALLERY OF AUSTRALIA
IMANTS TILLERS, Mount Analogue, 1985, oil and synthetic polymer paint, 279 x 571 cm.
IMANTS TILLERS’s momentous, postmodern icon ‘Mount Analogue’ (1985), in The National Gallery of Australia’s new collection display.
Pictured here with its forebear, Eugene von Guérard’s majestic landscape ‘North-east view from the northern top of Mount Kosciusko’ (1863).
GUAN WEI on display at THE NATIONAL GALLERY OF AUSTRALIA
GUAN WEI, 2002, Synthetic polymer paint on 48 canvases, 317 x 913 cm.
GUAN WEI’s beautiful painting ‘Dow: Island’ (2002) is now on display in The National Gallery of Australia’s Australian art collection.
“When people are thinking about global things they must draw a map. The map is very important to human thinking . . . The work is like a big history that includes ancient animals and human migrations and the situation of refugees in the present.” – Guan Wei