PAT BRASSINGTON

Congratulations to PAT BRASSINGTON, Winner of the 2016 Redlands Konica Minolta Art Prize!

Her spectacular work Pair Bonding challenges the audience's senses and undermines the authority of photography. One of Australia's most prestigious awards, the Redlands Konica Minolta Art Prize is celebrating its 20th Anniversary and is being presented in partnership with the National Art School, Sydney. Brassington's winning work, along with the other finalists, can be seen at the NAS Gallery until 14 May 2016.

Don't miss Pat Brassington's latest solo exhibition Just Soalso currently on view at ARC ONE Gallery until 9 April. 

For more information on Pat Brassington, click here.

PAT BRASSINGTON, Pair Bonding, 2015, pigment print, 78 x 59 cm.

PAT BRASSINGTON, Pair Bonding, 2015, pigment print, 78 x 59 cm.

PETER DAVERINGTON

PETER DAVERINGTON's work will feature in Divine Abstraction, the inaugural show at Justin Art House Museum in Prahan, Victoria. 

Curated by Rachael Kohn, presenter and producer of ‘The Spirit of Things’ on ABC Radio National, the exhibition explores how ‘abstract art’, using examples drawn from the Justin Collection, can represent the various manifestations of the ‘abstract divine’.

Divine Abstraction will run March - May, 2016.

 

 

Peter Daverington, An Imbricated Universe, 2006, oil and enamel on linen, 122 x 153cm. 

Peter Daverington, An Imbricated Universe, 2006, oil and enamel on linen, 122 x 153cm. 

ANNE SCOTT WILSON

ANNE SCOTT WILSON has been selected to participate in the inaugural show for Melbourne Central Art Loop. Curated by Andy Dinan of MARS Gallery, this will be Australia's largest installation of video art on display outside of an institution. 

Watch the exhibition trailer here


 

ANNE ZAHALKA

ANNE ZAHALKA has been listed, by Blouin Artinfo, as one of the 10 photographers not to miss at Dubai Photo Exhibition 2016.  Zahalka's inclusion in the international exhibition features four spectacular works from her 1987 series 'Resemblance'.

Dubai Photo Exhibition continues from 16 - 19 March 2016.

You can read the article here.

Anne Zahalka, The Cook (Michael Schmidt/architect, cook), 1987, cibachrome photograph, 80 x 80cm. 

Anne Zahalka, The Cook (Michael Schmidt/architect, cook), 1987, cibachrome photograph, 80 x 80cm. 

PAT BRASSINGTON

JUST SO

One of Australia’s most highly respected and preeminent artists, Pat Brassington, returns to Melbourne with a new solo exhibition, Just So. The show continues from 8 March - 9 April 2016 at ARC ONE Gallery. 

Working predominantly in photo-media, Pat Brassington is recognised as a leading exponent of Australian contemporary art. She has developed a singular practice that draws on ideas from psychoanalysis, feminism and Surrealism, consistently producing visually- and psychologically-intriguing work and enticing critics, curators and the public alike.

For this exhibition Brassington takes her title from Rudyard Kipling’s famed Just So Stories, a collection of short and highly-fantasised tales on the origins of animal phenomena. Trading wildlife for humans, Brassington describes her images as ‘fanciful depictions of human biological traits and behaviours that … feel to be just so’.1Her visual fallacies unite the strange with the familiar, creating – in a distinctively Brassington fashion – an ambiguity that causes our interpretations to falter.

Among the fifteen new works exhibited, images and motifs observed throughout the artist’s oeuvre resurface and present freshly precarious insinuations; tongues poke and mouths gape, a lonely fish stagnates in an indeterminate hollow, and a crimson pearl balances delicately at the apex of feminine thighs. In Just So, as with much of Brassington’s work, there is a persistent sense of the uncanny, the dream-like and downright unknown that permeates her often beguiling and at times disquieting imagery. Reds and fleshy tones quietly pulsate within an otherwise monochromatic palette – like blood through veins – and signal danger and pleasure in equal measure. 

But there is also beauty and a decidedly wry humour to be found. On closer inspection of Pearl, subtle tufts of pubic hair peep out from behind their shiny shield, revealing the artist’s penchant for cheek. In Home and Away, Brassington explores the relationships we have with loved ones and the effects of distance in a compositionally-striking diptych of an incoming airplane mirrored with the outstretched arms of a pre-Raphaelite nude. It is at once arresting and moving

Just So offers a fresh round of musings from a brilliant artist’s mind. Provocative, luring and mysterious, Brassington might be taunting or charming us – at times it’s impossible to know.

 

1 Pat Brassington in conversation with ARC ONE Gallery, February 2016.

MURRAY FREDERICKS

"Fredericks and Schutzinger have done a wonderful job of creating an affecting and atmospheric piece that quite literally resonates with history's voices."

The March/April 2016 issue of ArtGuide features Dylan Rainforth's review of MURRAY FREDERICKS and Tom Schutzinger's Inside the Dome (DYE2) exhibition. 

Read the entire review here

 

 

Murray Fredericks and Tom Schutzinger, installation view. Photograph by Reg Ryan. 

Murray Fredericks and Tom Schutzinger, installation view. Photograph by Reg Ryan. 

ANNE ZAHALKA

Anne Zahalka, Newtown, where you can be yourself, 2009, Type C print, 119 x 84cm.

ANNE ZAHALKA is the first artist to exhibit at the contemporary public art space, Newtown ArtSeat, for 2016. The photographic work, from her Homeground! series, is based on original pub paintings from the 1930s that idealised Australian sport and leisure. 

Zahalka’s installation continues through to 31 March 2016. 

PAT BRASSINGTON

Congratulations to PAT BRASSINGTON on the recent acquisition of The Branching (2015) by the Art Gallery of New South Wales. 

More information

 

Pat Brassington, The Branching, 2015, pigment prints, diptych, 94 x 130 each

Pat Brassington, The Branching, 2015, pigment prints, diptych, 94 x 130 each

JACKY REDGATE

Jacky Redgate, Miss Pears’ Contest Photographs March 1959, 2015 (detail). Image courtesy of Doris Redgate.

Jacky Redgate, Miss Pears’ Contest Photographs March 1959, 2015 (detail). Image courtesy of Doris Redgate.

JACKY REDGATE: MIRRORS, a new monograph on one of Australia's leading contemporary artists, launches this week. This first monograph on the artist in over a decade takes readers through a series of carefully orchestrated reversals, smoke and mirrors to throw new light on contemporary artistic practice. 

Jacky Redgate: Mirrors is co-published by Power Publications with the University Art Gallery, The University of Sydney, in partnership with the University of Wollongong.

 

 

DANI MARTI

Dani Marti, Black Sun, installation view, 2016. 

Dani Marti, Black Sun, installation view, 2016. 

DANI MARTI's solo exhibition at the Fremantle Arts Centre is an opportunity to see the work of one of Australia’s most challenging and exciting contemporary artists. The exhibition continues through to 28 March 2016. 

You can read a fantastic review of Black Sun from the Sydney Morning Herald here.

Artist Profile also wrote about the exhibition here.

See also Leigh Hill's interview with MARTI for OUTinPerth here.

JANET LAURENCE

JANET LAURENCE is featured in Sanctuary, now showing at the Glen Eira City Council Gallery from 4 March - 10 April 2016. Curated by Diane Soumilas, this exhibition addresses the notion of the garden as a sanctuary or site for reflection, contemplation and healing in contemporary culture. 

 

Janet Laurence, What Could a Garden Be (video still), 2015, Camera Sophie Austergren, editing LIndi Harrison, 7'36"

Janet Laurence, What Could a Garden Be (video still), 2015, Camera Sophie Austergren, editing LIndi Harrison, 7'36"

GUO JIAN

Guo Jian, Picturesque Scenery 26, 2011-12, inkjet pigment print, 320 x 500 cm (10 panels, each 160 x 96 cm).

Guo Jian, Picturesque Scenery 26, 2011-12, inkjet pigment print, 320 x 500 cm (10 panels, each 160 x 96 cm).

GUO JIAN's work in included in a curated group show titled Heavy Artillery at White Rabbit Gallery from 9 March to 7 August 2016. The exhibition explores acts of defiance in the context of the past three decades of explosive social change in China. 

Here is an interview with GUO JIAN regarding his work, Picturesque Scenery 26, to be featured in the exhibition. 

JOHN YOUNG

Congratulations to JOHN YOUNG on the acquisition of his work, Moment III, into the collection of the UQ Art Museum.  

To find out more about this work visit the website here

John Young, Moment III, oil on Belgian linen, 76.2 x 103.4cm. 

John Young, Moment III, oil on Belgian linen, 76.2 x 103.4cm.