Honey Long and Prue Stent open new solo exhibition in Rome, Italy

Grotto launches a solo exhibition from Honey Long and Prue Stent at GOMMA, Rome.

“In Grotto – explains the curator and gallerist Camilla Carè – Long and Stent bring a series of surreal snapshots that speak of mystery, letting us enter a synthetic cave of their imagination. The artists use their camouflaged bodies, allowing faceless apparitions to emerge from the female form. Sometimes statuesque, sometimes creators, the bodies in Grotto inhabit a timeless space. We have a history of appropriations behind us. Of lands, of bodies, of animal, vegetal and aquatic otherness. In the thirst for individual existence, these colonizers proceeded to categorize, designing a modern past under the banner of the supremacy of man and science over nature. To this day, there still remains a cultural weight on these bodies, which instead claim their belonging to an interdependent plurality. We flow, they seem to whisper. They are human, non-human and more-than-human beings, aquatic and shimmering and changeable forms, which draw new relationships between the organic and inorganic world.”

'Imants Tillers: The Mosman Years' opens at Mosman Art Gallery

Today marks the opening of 'IMANTS TILLERS: THE MOSMAN YEARS' curated by Kelly McDonald at the Mosman Art Gallery in Sydney.

The exhibition explores the pivotal moment in the 1980s when Tillers began creating large-scale canvasboard paintings while living in a small Federation duplex in Mosman. IMANTS TILLERS: THE MOSMAN YEARS features 25 works from the last four decades, and will include the first canvasboard work Tillers ever created in 1981.

Imants Tillers, View, 1989, oilstick, gouache, synthetic polymer paint on 72 canvasboards, nos. 21007–21078 228.6 x 304.8 cm Private collection

Desmand Lazaro is now showing 'Point and Line to Plane' at AGNSW

Desmand Lazaro is now showing 'Point and Line to Plane', a specially commissioned artist project, at the Art Gallery of New South Wales, curated by Jackie Dunn.

Nestled in the heart of the AGNSW's major exhibition 'Kandinsky', Lazaro’s work explores our fundamental relationship with the cosmos through ‘sacred geometries’ – the hidden meaning of shapes – probing the laws of art and nature to consider their mysteries. It features several of Lazaro's interstellar paintings and sketchbooks, combined with some truly beautiful exhibition design inspired by Lazaro's work.