On Saturday, ‘Portrait of a Collection: TarraWarra Museum of Art’ was launched at TarraWarra Museum of Art.
In conversation with Victoria Lynn and Claire Roberts, JOHN YOUNG discussed Claire’s chapter ‘Visual Thinking: Ian Fairweather and John Young' which draws on the affinities between Fairweather and Young's artistic practices.
“For both men, art is a transcultural practice and part of a larger process of becoming.” - Professor Claire Roberts
You can purchase a copy of this important overview of TarraWarra Museum of Art’s collection of 20th- and 21st-century Australian art via the link below.
HONEY LONG & PRUE STENT - Upcoming Workshop @ Golburn Regional Gallery
⭐ Photograph the body with Honey Long and Prue Stent ⭐
Meet the artists at the Gallery and make your own surreal images.
With a live model on hand and a range of materials, participants will have the opportunity to capture their own images, experimenting with angles, light, objects, lenses and materials to create unique visual narratives.
Bring your own camera and get creative with these extraordinary artists.
Honey Long and Prue Stent are a collaborative duo who construct surreal scenes where the body serves as both raw material and haunting apparition. Dreamy, fluid and fleshy, their distinctive and highly sensual practice has garnered worldwide recognition, spanning the realms of photography, performance, installation, and sculpture.
When: 11:30 - 2:30pm Saturday 2 November
Who: Adults and teens 16+
Where: Goulburn Regional Art Gallery
Cost: $45.00 + booking fee
Book here >
JULIE RRAP: Past Continuous @ MCA
"At the beginning, my work was critiqued through self-conscious feminism. Now, I don’t know how it will be received. And when I have used a body it’s been my own, but you don’t find out much about me in that personal sense. You just see a body moving through time. I also think that this show is as much about time as it is about a body. I show a body through time."
Head to Art Guide to read a fantastic interview with Julie Rrap by Lauren Carroll Harris. In a conversation Rrap discusses her current survey ‘Past Continuous’ at the MCA, which exhibits ‘Disclosures’ with newer works that consider the cultural invisibility of the ageing female body.
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Read the full interview here >
Julie Rrap: Past Continuous
📅 28 June 2024 – 16 February 2025
📍Museum of Contemporary Art, Sydney
IMANTS TILLERS Artist Talk @ Bundanon Trust
ARTIST TALK SUNDAY
In NSW this weekend, Imants Tillers is giving an artist talk at Bundanon.
Tillers will be in conversation with Sophie O’Brien (Head of Curatorial & Learning, Bundanon), exploring the cultural landscape for young Australian artists in the 1980s, both here and internationally.
In 1984, Tillers was one of three young artists in the exhibition An Australian Accent, presented at MoMA PS1, New York. Also including the work of Mike Parr and Ken Unsworth, the exhibition was one of several to articulate new Australian art to an international audience.
Tillers’ incredible painting ‘Pataphysical man’ (1984), from the collection of the AGNSW, is currently on display at Bundanon Art Museum as part of the group exhibition ‘Wilder Times: Arthur Boyd and the mid-1980s landscape’.
Tickets available here >
Imants Tillers: In Conversation
📅 Sunday, 6 October, 11am-12pm
📍 Bundanon, 170 Riversdale Road, Illaroo
PAT BRASSINGTON Photo Essay in VAULT Magazine
Vault explores Pat Brassington's gutsy work in this photo essay.
"Mundane activities take on unsettling overtones and domestic environs are rendered strangely ominous as disembodied protagonists engage in sometimes confronting or irrational scenarios."
Grab issue 47 here >
CHARLES GREEN New publication 'When Modern Became Contemporary Art'
Congratulations to Charles Green and his co-author Heather Barker, who have published a new book with Routledge on the history of Australian art from 1962 to 1988.
This book is a portrait of the period when modern art became contemporary art. It explores how and why writers and artists in Australia argued over the idea of a distinctively Australian modern and then postmodern art. The book reflects on why the embrace of Aboriginal art was so late in art museums and in histories of Australian art, arguing that this was because it was not part of a national story dominated by colonial, then neo-colonial dependency.
"When Modern Became Contemporary Art begins with the excellent point that the study of art history has lagged behind artistic practice in contemplating Indigenous art. The book corrects that in the most welcoming way, by bringing hundreds—perhaps thousands—of points of reference, from anthropology, art history, journalism, curating, and the art market, into productive dialogue.”
– Professor James Elkins, E.C. Chadbourne Chair of Art History, Theory, and Criticism, School of the Art Institute of Chicago