DANI MARTI

Dani Marti, Prelude, 2015, corner cube reflectors and natural crystal beads on aluminum frame, 95 x 95 x 20cm. 

DANI MARTI will be participating in Exhibit A, a group exhibition at The Lock Up in Newcastle, NSW. The exhibition intends to go beyond what might be considered ‘art and crime’, and question the ideas of crime, criminality and criminal subject through strong community engagement on a different range of approaches: historical, political, personal, and material.

The exhibition will take place from 30 October to 6 December 2015.

For more information click here.

DANI MARTI

Dani Marti, The Stamp Collector, 2006, still from video, 6'40min.

DANI MARTI will be part of the exhibition La Vida es esto: Narrativas de progreso, libertad y auto-realización en el capitalismo de hoy (Life is This: Narratives of Progress, freedom and self-realization in today’s capitalism), at the DA2 Contemporary Art Centre in Salamanca, Spain. The exhibition is based on a reading of works from the collection of the Museum of Contemporary Art of Castilla y Leon (MUSAC) that reflect on today’s capitalist society. Some of the artists included in La Vida es esto are: Gregory Crewdson, Joan Fontcuberta, Ana Mendieta, Tracey Moffat and Santiago Sierra.

The exhibition will be open from 8 October 2015 to 31 January 2016. 

For more information click here.

DANI MARTI

Dani Marti, The Butterfly Man, 2012, still from video, 16min.

DANI MARTI will participate in Casula Powerhouse Arts Centre’s 21st Birthday exhibition, titled 21. The Casula Powerhouse is a multi-disciplinary centre located in Liverpool, NSW. The exhibition, curated by David Capra, will feature 21 emerging and highly respected Australian artists who have exhibited at this institution.

The exhibition will run from 17 October to 29 November 2015.

For more information, click here.

JANET LAURENCE

"I feel quite proud to be able to bring the Barrier Reef to Paris actually and show another way of seeing it, not the glossy tourist idea"

- JANET LAURENCE on Deep Breathing (Resuscitation for the Reef) which she will present to as part of Artists 4 Paris Climate 2015 later this year.

Andrew Taylor interviews Janet in the Sydney Morning Herald about her latest artwork which will be presented to a global audience alongside international artists such as Olafur Eliasson, Barbara Kruger, Michelangelo Pistoletto and more.

To read the full article click here.

GUAN WEI

Guan Wei, To The Origin 2, 2015, porcelain, 46.5 x 27.3cm.

Art Collector interviews GUAN WEI about being shortlisted for this year's Woollahra Small Sculpture Prize. 

To read the interview, please click here.

JACKY REDGATE

Jacky Redgate, Mirrors (transcription from Ralph Balson Painting, 1941), 2009-12, C-Type photograph. 

JACKY REDGATE's photographic work Mirrors will be presented at the University of Sydney Art Gallery from 3 October until 27 November 2015. This exhibition will focus on the artist's use of mirrors and rebounding light and the relevance of these elements in her oeuvre.

For more information, please click here.

JANET LAURENCE

JANET LAURENCE has been chosen as the Australian representative for the Artists4ParisClimate2015 initiative. She will be creating a site-specific installation entitled Reef Resuscitation which address the threat to our natural environment and it's fragility due to climate change.  This artwork will be formed through a residency with the Australian Museum Marine Science Department and their Lizard Island research station in the Barrier Reef.

The artwork will be exhibited in the Great Gallery of Evolution, situated within the Muséum National d'Historie Naturelle, in Les Jardin des Plantes, Paris from October through til the end of December 2015.

For more information, click here.

TRACY SARROFF

Tracy Sarroff, Confluence of Two Rivers (detail), 2011, mixed media, 155 x 52 x 123 cm.

TRACY SARROFF will be exhibiting a sculptural light installation at Seventh Gallery, Melbourne from 10 - 25 September. The exhibition, Dragon’s Backbone, is inspired by the ever-evolving relationships with the natural world across territories both real and imagined. It incorporates references to terrace farming, climate change and the genetic engineering of food crops. Allied to ideas sourced from science fiction and science fact, her works look like illuminated and glowing hybrid plant-life and mountainous, glacial forms. The separate sculptures take on titles from Southern China’s vast region of spectacular rice terraces, The Dragon’s Backbone of Longshen that stretches layer upon layer, coiling around from the base of Longji Mountain to its summit.

For gallery information click here.

PETER DAVERINGTON

Peter Daverington, Learn From the Classic - But Please Don't Destroy Them, 2015, oil, enamel and gesso on canvas, 183 x 154cm

The Lodge Gallery, NYC, will open an exhibition of new paintings by PETER DAVERINGTON on 9 September 2015. The exhibition, Iconophilia, is an adventure through the historical cannons of western art. From the invention of oil paint right up into the graffiti tags and throw ups of old school New York street artists, Daverington plunders and appropriates from a vast archive of visual imagery.

The exhibition will run through to 11 October 2015.

For more information click here.

JUSTINE KHAMARA

Justine Khamara, Vertical Alliteration #2, 2013, UV print, laser-cut plywood, MDF board, 120 x 90 x 45cm.

Congratulations to JUSTINE KHAMARA's for her inclusion in Installation Contemporary at Sydney Contemporary. Vertical Alliteration #2 will be on display in the VIP Lounge, at Track 12 of the Art Fair.

Installation Contemporary is a project by The Curators’ Department which brings together 18 innovative, site-specific and interactive works in unexpected places throughout the Fair.

For more information please click here.

MURRAY FREDERICKS

Murray Fredericks, Muybridge, 2015, digital pigment print, 140 x 187 cm.

'Fredericks achieves a poetic meditation on personal and universal origins'.
Dylan Rainforth reviews MURRAY FREDERICKS' current exhibition in The Age.

To read more, click here.